These features prevent messing up the character of a sound and aliasing issues.
#Best uad plugins for hip hop professional#
Most professional engineers go for Saturn over other distortion units because it has linear phase capabilities and oversampling. It’s a multiband plugin and its modulation features can add some amazing vibe and movement to a static saturation effect. The FabFilter Saturn goes far beyond the typical saturation plugins realm.
#Best uad plugins for hip hop free#
Feel free to test it on different drum sounds to add analog tube warmth. This plugin sounds amazing on the snare and kick drums. Instead, use a gain trimming plugin to compensate. So, to get the best results, don’t touch the output, only play around with the input and EQ sections. Don’t do gain compensation because there are 2 tube stages.īoth the input and output act as a drive knob. Here’s the most important thing to understand about the Radiator. It’s a wide curve for both frequency cuts and more of a sloping boost. These are both shelve filters, but it's not your "standard" shelves. The Radiator EQ section has bass and treble parameters, however, these are not high-pass or low-pass filters. This one is modeled after one of the warmest devices we know of the Altec 1567A Mixer Amplifier. In modern recording, the one thing that we strive for is warmth, and the Radiator has it in spades. The Decapitator is a must-have saturation plugin for getting drums and other instruments or vocals to cut through.Īnother great plugin from Soundtoys is the Radiator. No matter what sound I’m going for in a mix, 99% of the time, one of these 3 algorithms will work. The sound is punchy and very useful to add some attitude to drums or other percussive instruments. This is an amazing algorithm for adding warmth and various levels of dirt to drums. “T” is modeled after the Thermionic Culture® Culture Vulture®, a favorite for most audio engineers. This style of saturation sounds amazing on low-end drums such as kick, toms, bottom snare, and other low percussions. “E” is an emulation of the Chandler®/EMI® TG® Channel.
The tube-driven distortion adds warmth and sounds ultra-smooth. This one is great if you want to brighten anything in the mix. “A” style is modeled after the classic Ampex 350 tape drive preamp. The algorithms I use the most are “A”, “E” and “T”. These 5 styles are named A, E, N, T, and P. It has 5 different saturation algorithms that make Decapitator a useful tool for various purposes. You also don’t have to worry about the sound quality, the Decapitator matches the harmonic structure, frequency response, and dynamic response of analog gear. The one thing I love about the Soundtoys decapitator is that it's simple to use and convenient.